scratchboard

My reference photo I finished this newest scratchboard painting a few weeks ago but I’ve been too busy to blog about it until now. This wild Lady’s Slipper blossom, which I photographed in my forest late last April, was my chosen subject as a deadline neared; I had to deliver 8 original paintings for a solo show of my work as 2019 Spring Wildflower Pilgrimage Artist of the Year. Generally, I don’t cram at the last minute, but I thought … Read More

An art idea hit me like a bullet one day – how about an alpaca painting? I love painting animals, alpacas are adorable, people love alpacas… I should have thought of this long ago! A friend had told me about her pet alpacas a while back, so I contacted her and asked if I could visit for photos. Right away, Beth invited me to come by, and we chose a lovely sunny afternoon. Three alpacas were in the fenced area: … Read More

After recently creating a few paintings of fury and feathered creatures on Scratchbord®, I decided to feature some other favorite subjects in my newest scratchboard painting: wildflowers and weathered barnwood. The black background and the process of scratching down to a white surface favor subjects with light values and strong textures; with this in mind, I’ve learned that I need to select my subjects and plan my compositions differently than I do when painting on white paper or canvas. Wild … Read More

 Art is a constant learning process for me. I painted “Scarlett – Red-Tailed Hawk” in a similar manner as I painted “Hair of the Dog,” using transparent fluid acrylic paints on a small 6″x6″ black scratchboard panel, but this time depicting feathers vs. fur. The photos of my work in process highlight some of the steps in capturing this majestic bird. The technical info in the second half of this post may be of particular interest to other artists who … Read More

  Continuing my current MO of experimenting with new art materials and methods in my paintings, I’ve completed another scratchboard, this time with a new set of watercolors. I’ve Got Sunshine is my first painting with QoR® (pronounced ‘core’) watercolors from Golden Artist Colors (read more about the paints at the end of this post). As with my painting “Jasper,” I’ve painted this on Aquabord®, a white-surfaced scratchboard panel. When seed drops from our bird feeders into the gravel below the … Read More

I feel like I’ve been a bit spastic with my art recently – jumping from watercolor to acrylics, working on paper, canvas, and panels. Whatever I am working on at the time is my favorite. There are so many different art materials and methods I want to try, and it’s a continuous learning process. Perhaps someday I’ll settle down and concentrate on one medium and one surface; I’m still figuring out what kind of artist I want to be when … Read More

  When I opened a new package of three little Aquabord™ panels, I thought I was trying a new painting surface… a thin layer of fine white kaolin clay on a hardboard with a pebbly texture, heralded as ideal for use with watercolors. The surface absorbs watercolor pigment similarly to cold-pressed (textured) watercolor paper, but the paint can be easily removed. It’s sometimes known as scratchboard, and when I was a kid we created our own by covering heavy paper … Read More

“Sleeping Ginger,” painted in black ink on scratchboard The point of view you choose for a painting can make a big difference. For example, I always try to depict portraits of dogs with my eye level pretty much at the dog’s eye level. “Sleeping Ginger” really illustrates this – if I was standing above Ginger, looking down at her on the floor, the intimacy would have been lost. In painting an outdoor scene, the point of view is critical, certainly … Read More