As a painter of animals, I know it is difficult to depict black fur. A big solid area of black just doesn’t cut it – you have to capture the highlights to make it look realistic and give it dimension. I was ready for the challenge of painting a black cow. This is my first cow art on Scratchbord®. My two previous cow paintings, Eat Chicken and Cow’s In The Corn, were both very colorful, created in watercolor on … Read More
I created “Sweet Dreams” with a few new twists – not counting the twisted body of the cute little kitten: The reference photo is not one I took I selected an unusual palette of colors The application of paint was unconventional Watercolor pencils added some finishing touches From the first time I saw my friend Dawn’s photo of this kitty, I knew I had to paint it. Dawn had rescued her the middle of the road when she was ‘no … Read More
Here are valuable reference sources and hot links to help those of you who attend Scratchboard 101 presented by Judy Lavoie… and to help anyone else looking for great scratchboarding information! https://wfi.xfi.mybluehost.me References and Resources: ONLINE: Ampersand Art, Supplier of Aquabord™, Scratchbord™, Claybord™, other art panels, tools, inks, and great source of information: ampersandart.com Ampersand blog post about Aquabord™ Aquabord 101 Ampersand supplier for the UK, with a good blog post on scratchboards and other panels: Extraordinary Surfaces for Your … Read More
My reference photo I finished this newest scratchboard painting a few weeks ago but I’ve been too busy to blog about it until now. This wild Lady’s Slipper blossom, which I photographed in my forest late last April, was my chosen subject as a deadline neared; I had to deliver 8 original paintings for a solo show of my work as 2019 Spring Wildflower Pilgrimage Artist of the Year. Generally, I don’t cram at the last minute, but I thought … Read More
An art idea hit me like a bullet one day – how about an alpaca painting? I love painting animals, alpacas are adorable, people love alpacas… I should have thought of this long ago! A friend had told me about her pet alpacas a while back, so I contacted her and asked if I could visit for photos. Right away, Beth invited me to come by, and we chose a lovely sunny afternoon. Three alpacas were in the fenced area: … Read More
After recently creating a few paintings of fury and feathered creatures on Scratchbord®, I decided to feature some other favorite subjects in my newest scratchboard painting: wildflowers and weathered barnwood. The black background and the process of scratching down to a white surface favor subjects with light values and strong textures; with this in mind, I’ve learned that I need to select my subjects and plan my compositions differently than I do when painting on white paper or canvas. Wild … Read More
Art is a constant learning process for me. I painted “Scarlett – Red-Tailed Hawk” in a similar manner as I painted “Hair of the Dog,” using transparent fluid acrylic paints on a small 6″x6″ black scratchboard panel, but this time depicting feathers vs. fur. The photos of my work in process highlight some of the steps in capturing this majestic bird. The technical info in the second half of this post may be of particular interest to other artists who … Read More
Continuing my current MO of experimenting with new art materials and methods in my paintings, I’ve completed another scratchboard, this time with a new set of watercolors. I’ve Got Sunshine is my first painting with QoR® (pronounced ‘core’) watercolors from Golden Artist Colors (read more about the paints at the end of this post). As with my painting “Jasper,” I’ve painted this on Aquabord®, a white-surfaced scratchboard panel. When seed drops from our bird feeders into the gravel below the … Read More
I feel like I’ve been a bit spastic with my art recently – jumping from watercolor to acrylics, working on paper, canvas, and panels. Whatever I am working on at the time is my favorite. There are so many different art materials and methods I want to try, and it’s a continuous learning process. Perhaps someday I’ll settle down and concentrate on one medium and one surface; I’m still figuring out what kind of artist I want to be when … Read More
When I opened a new package of three little Aquabord™ panels, I thought I was trying a new painting surface… a thin layer of fine white kaolin clay on a hardboard with a pebbly texture, heralded as ideal for use with watercolors. The surface absorbs watercolor pigment similarly to cold-pressed (textured) watercolor paper, but the paint can be easily removed. It’s sometimes known as scratchboard, and when I was a kid we created our own by covering heavy paper … Read More