Two Passions

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I love scratchboarding and I love chocolate, so I decided to combine the two in creating How Sweet It Is. I painted a big watercolor of chocolates years ago, Decadence, and it has always ranked among my personal favorite paintings. Even though this is a very very small artwork – just 4.5″ x 3″ – it took forever! The image was created with tiny marks into the black surface, slowly working my way throughout the panel. To be able to … Read More

Stippling on Scratchboard

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I’ve just learned a new scratchboard technique for creating smooth transitions between shades of gray. It’s a great improvement over what I was doing. Sheryl Unwin, a fabulous scratchboard artist, was generous to share her methods for both stippling and hatching in a 4-session Zoom workshop. I’ve created “Wee Lad,” a small 5” x 7” Scratchbord™, with her tips. I love my results, but I need more practice to really latch onto this technique. It is rather time consuming … … Read More

Remarkable?

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  As a painter of animals, I know it is difficult to depict black fur. A big solid area of black just doesn’t cut it – you have to capture the highlights to make it look realistic and give it dimension. I was ready for the challenge of painting a black cow. This is my first cow art on Scratchbord®. My two previous cow paintings, Eat Chicken and Cow’s In The Corn, were both very colorful, created in watercolor on … Read More

Scratchboard Trilogy

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  “Heart to Heart” is the third in my new series of scratchboards done in what I call a ‘purist’ method. These are a big departure from my previous scratchboards, in that these use no paint! I’ve done a few black scratchboards in the recent past (Pink Lady, Hair of the Dog and The Queen), but each of them used colors to help define the values. In the purist approach, the black surface is scratched to reveal whites, and  the different … Read More

December: Values

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One of the most important design elements in a painting is value. Value (or tone) can be defined as how light or dark a color appears, rather than its actual color (“hue” or “chrome.”) Think of a black and white photograph, where the image is composed of blacks and whites, plus a full range of grey values. The same is true of a drawing in pencil or charcoal, as with my drawing of my cat Ernie. Turn any color image … Read More